The Annual Migration of Clouds imagines the University of Alberta as the site of a self-sustaining community in a dystopic near-future: the labyrinthine BioSci building is now living quarters and [...]
It’s easy to read the two main characters of Vivek Shraya’s The Subtweet as archetypes. On one hand, we have Neela, the capital-A artist who cares more about authenticity than popularity. On the [...]